Comping
Stitching a single take together from the best bits of many — short for composite, and the reason few recorded singers ever sang the song the way it sounds.
In the tape era it meant recording several takes on separate tracks and bouncing the best phrases down to a new one, with the shortage of free tracks acting as a natural brake. A DAW has no brake: loop recording stacks take after take in lanes under a single track, and you highlight with the mouse which take plays in each phrase. Logic Pro popularised "swipe comping" in 2009, and nearly every other program has copied the layout since.
Edits go in rests or on consonants, with short crossfades so nothing clicks. The finished result is a performance that never happened — and it often goes on to be tuned in Melodyne anyway.